Book Title: NATIVE SPECIES - A Tale of Two Civilizations in 1928 Los Angeles by Michael Albergo
Category: Adult Fiction (18 +), 240 pages
Genre: Fantasy
Publisher: Electric Torch
Release date: March 2026
Content Rating: PG -13: Some F-words, religious profanities, crude terms; one very tame non-explicit sex scene
Book Description:It is 1928, and the future is unwritten.
When widowed Professor Horace Jennings reluctantly volunteers to search for a missing student, he trades Rhode Island for the West Coast. This isn’t Providence; this is Los Angeles. And as his hired detective warns him, bootleggers, museum thieves, and crooked cops are no company for a sherry-sipping professor and his precocious protégé, Helen Parker.
But the truly dangerous characters aren’t criminals.
In fact, they aren’t even human.
Shila Ghiss, a scientist from a subterranean race, desires only to experience daylight. One day, she gets her chance—if she is willing to help reclaim the surface from humanity. She’ll need to become human, to learn about powerplants, facial expressions, and hair care. She’ll need to do something awful. But her mentor and his followers are planning to do something far worse—something apocalyptic.
To save both species, she’ll have to work closely with these bizarre, unpredictable humans and become both traitor and savior. She’ll have to decide who she is, and which native species will write the future.
What Lies at the Intersection of Science Fiction, Historical Fiction, and Horror?
I began writing Native Species as a horror novel in the style of H.P. Lovecraft, and it still retains some of those elements. It’s a sense of horror that is both visceral and intellectual: visceral, because it plays on our deepest fears and revulsions; intellectual, because it shows us a universe that undermines our very reason and rationality: one where humankind is insignificant in the face of omnipotent, uncaring beings.
I soon learned, however, that I am not a horror writer. Horror takes me to places I don’t want to visit. I’d rather spend my time in the familiar, fascinating realm of science and technology, where I can marvel not only at the mysteries of the universe but at the efforts of humankind to understand it. This novel might well be considered science fiction, or perhaps “speculative fiction,” because it has a strong undercurrent of science and technology and because it poses a “what if” question: What if there were an ancient civilization—an ancient species native to Earth, predating our own? What if we stumbled across that species in 1928, a time when we were just beginning to understand the nature of the universe and our place in it? (Okay, two questions.)
To bring that story to life, I wanted to ground it in fact, not speculation. So I drew upon actual people, places, and events of the time. If you read this book—I do hope you will—you’ll meet a real detective, a real engineer, a real doctor, and a real politico from 1928. You’ll see great public buildings, grand hotels, and hidden speakeasys that still stand today. And you’ll glimpse events—some of them awful—that actually happened. Does this story qualify as “historical fiction”? Judge for yourself.
At the intersection of these people, places, and events are our primary protagonists and antagonists. For me, a science fiction story without relatable, engaging characters is as empty as space. So once I came to understand my characters—their needs, desires, and dreams—I fell in love with them all, heroes and villains alike. Then I simply turned the story over to them and let them tell it.
What lies at the intersection of science fiction, historical fiction, and horror? A group of wonderfully flawed, all-too-human characters. Whether or not they live to write the future, I hope you will find them all unforgettable.
A professional engineer and graduate of MIT (engineering and humanities), Michael Albergo writes character-driven speculative fiction rooted in real-life early 20th century locales, people, and events. He teaches at New York University and is an avid player of board games and role-playing games. Native Species is his first novel.
connect with the author: website ~ goodreads





E.M. (Elisabeth) Hamill writes adult science fiction and fantasy somewhere in the wilds of eastern suburban Kansas. A nurse by day, wordsmith by night, she is happy to give her geeky imagination free rein and has sworn never to grow up and get boring.
As if the rumors and whispers from the people of her seaside town, Oceanbrook, weren’t bad enough, 17-year-old Sarah D’Antonio is troubled by the whispers from the forest. It’s not her fault that she hears voices, that she sees auras, and that she has been sleepwalking along the shore. The townspeople, and Sarah’s parents among them, claim that it is all in response to stress, including her chronic migraines and panic attacks. They believe that she can’t come to grips with the fact that her cousin, Lena, is dead. But Sarah knows that the things she is experiencing are real and not something she is bringing on herself. She also knows that Lena is not dead, only missing. She believes that there is something more supernatural going on and that the town is hiding secrets.

Aren is a shapeshifter, able to run with a centaur herd, fly on a hawk’s wings, and scurry through the kitchens to the screams of the innkeeper’s wife.



At Wolfsbane Hall, a secretive 1930s San Francisco murder mystery club, actress Celestine Sinclair plays a deadly role: executing victims who can only return to life once their murders are solved. Haunted by guilt yet bound by unwavering loyalty, she obeys the orders of the Specter—the club’s unseen mastermind and source of its magic.
From the author of The Last Dragon of the East comes a sweeping fantasy adventure with a dash of romance between a nine-tailed fox and the demon-hunter who captures her, banished to the underworld together and forced to form a reluctant alliance in order to escape the circles of Hell.




Everyone knows what goes on at the Thorn Valley Cemetery. The locals never stray from the three sacred rules.





