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Showing posts with label COZY MYSTERY. Show all posts
Showing posts with label COZY MYSTERY. Show all posts

Wednesday, September 24, 2025

Book Blitz of The Itch Of Greed by Christa Nardi #contests- Enter to win a Ecopy of the book-three winners.)

The Itch of Greed
Christa Nardi
(Izzie Di Sante Mysteries, #6)
Publication date: September 22nd 2025
Genres: Adult, Cozy Mystery

A dark cloud hangs over baseball season in small town Rosedale when star pitcher Randy Kampton is taken out of the game for good.

The DA is determined to pin the crime on Cole Rigley, a friend’s brother and fellow pitcher, citing the fierce competition for a major league trade as his motive for murder. Rigley’s brother, asks Henry and reluctant restaurant owner Izzie Di Sante to help prove his innocence. Adding fuel to the fire, Kampton stole Rigley’s girlfriend months earlier.

While Kampton’s pitching skills are universally acknowledged, no one, not fans or teammates, has a kind word to say about him, making for a long list of suspects. Rigley, on the other hand, is respected for his talent and team spirit. The wild card is another pitcher recovering from a car accident, whose open roster spot has all three men vying for the same prize.

In Rosedale, loyalty to the minor league team runs deep, and Izzie’s digging into the players ’pasts draws resentment from fans, police, and management alike. When the team’s PR person is targeted after meeting with her, the threats become all too real. The closer Izzie gets to uncovering the truth, on and off the field, the higher the stakes, and the more dangerous the game becomes.

Goodreads / Amazon

CHAPTER 1:

An alert sounded on my phone as I entered Cenare, the Italian restaurant I owned with my sister Chloe. While Chloe was a foodie, I took care of the business side of things. Before our parents died, I freelanced as a journalist following homicides in New York City.

I was committed to the restaurant and Chloe, but my passion was murder, so I kept the homicide alerts coming. Occasionally, if one sparked my interest, I took some time to search out my next story. Homicides provided a rush the restaurant business didn’t give me. I put my things down on the small table in the kitchen area and pulled up the message.

“Breaking news! The Rosedale Thorny Bats will be hurting this season. Their best pitcher, Randy Kampton, died under suspicious circumstances. His body was discovered by the custodians in the Thorny Bats locker room early this morning. Stay tuned for details.”

The announcement prompted me to check my other sources for unsolved homicides, although I’d never heard of the Thorny Bats or Kampton. I assumed if the man was a pitcher, the sport was baseball. It was spring and our guests or employees occasionally mentioned baseball. Growing up, Chloe and I spent most of our time in the restaurant. We lived and breathed Cenare.

My escape was writing. I knew from experience that the death of those close to you changed your life. My stories focused on the impact of a sudden death – usually a homicide – on those left behind. I found less resistance from law enforcement when I focused on cold cases or those that were stalled. Most often, my casual interviews with those who knew the victim provided clues to the killer.

Unfortunately, sometimes the killer targeted me. Having lived in New York City for five years, I was prepared for that, even in small town Pinewood, Maryland, where murders rarely happened. With the first ever murder in our small town a few years back, I clashed with the local police detective when the immediate conclusion was a burglary, and I disagreed. For the record, I was right.

With the murder of an athlete, Kampton’s death would likely be quickly solved if the alert was any indication. Not finding anything else of note in the alerts, I went through my morning routine of checking income, paying bills, placing orders, and taking inventory. At least I used my degree in business management. I preferred taking care of those tedious tasks before anyone else arrived.

As usual, Chloe arrived with a breakfast treat as I finished the accounting and started the inventory.

“Good morning, Chloe. Those look and smell delicious.”

“Thanks, Izzie. Help yourself. I got this idea in my head and combined ingredients from an apple brownie recipe and a cinnamon streusel cupcake. Ryan assured me they were more than edible.” With money from the estate and the restaurant, Chloe had completed her training at the culinary institute nearby. In and out of the restaurant, she often created dishes. Breakfast for me and whomever else wanted a taste tended not to be traditional Italian. For the restaurant, she kept with the family tradition and stuck to Italian dishes.

I chuckled. “I don’t know how you can cook here all day and then try out new things when you get home.”

“Well, Ryan brought some work home that he needed to get done like yesterday. Only he didn’t get the assignment until that morning.” She shrugged. “I got creative in the kitchen while he worked.”

Since she and Ryan married a few months ago, she hadn’t been as creative with her morning treats, though I could always count on her to provide my breakfast. When she took a week off for her honeymoon, I had to fend for myself, usually stopping at the local bakery on my way to work.

“It’s delicious! Not quite brownie and not quite muffin. Still very moist and I’m a sucker for cinnamon and apples. I’ll have to freeze some of these for the next time I see Henry. Now that he’s taken the detective exam and he may be working part time in Franklin, I hope to see him more often.”

Henry and I had started off as friends and our relationship moved forward from there. He was always a willing assistant and backup when I pursued a story. Helping me out prompted him to pursue his private investigator credentials.

“Speak of the devil.” I showed Chloe the phone, took the container of treats, and sat down at the table.

“Hi, Henry. How are you?”

“Good. I may have a case for you and wanted to give you a heads up. Do you have a few minutes?”

I grabbed a piece of paper off the nearby printer. “Sure. What’s going on?”

“You know the guy who always gives me a hard time about driving an automatic or having a family car? Phil Rigley?”

“Dark hair, hazel eyes, not quite as tall as you, and maybe a year or two younger. A southern twang.”

“That’s him. He called this morning, wanting my opinion. His brother, Cole, plays ball with the Thorny Bats. Cole contacted Phil this morning. Something about a player dying and the police interviewing everyone. Phil didn’t have many details, but he wanted me to look into it.”

My phone pinged with an alert. “I caught one announcement earlier and then another just came in. A custodian found Randy Kampton, a pitcher for that team, dead this morning. It was a sports broadcaster the first time, the usual police blotter the second time. Nothing else. Where did the Thorny Bats come from? Is there a new major league team in Maryland?”

“No. The Baltimore Orioles is the only major league team. The Thorny Bats is a triple-A minor league team out in Rosedale. The players are good and some eventually get picked up by a major league team. I played in college and a few of my teammates went on to the minor leagues. We lost touch but I may see if I can locate them.”

“The news I caught indicated a suspicious death. Thorny Bats is a weird name for a team though.”

“Minor league teams often have interesting names, usually related somehow to their location and often suggested by fans. Rosedale, thorns, and baseball bats – Thorny Bats. Makes perfect sense to me.” He chuckled. “Keep me posted. If it’s a homicide, Phil thinks his brother will be a person of interest. Both Cole and Kampton are pitchers, and Kampton stole his girlfriend.”

“Both would give Cole two motives. I’ll call you after lunch with any updates. Katie just walked in. Right now I best finish the inventory and start the lunch prep.”

Katie was a chef-intern from the culinary institute. We’d hired two to help Chloe and relieve her of 12-hour days. A brunette in her mid-twenties, Katie stood a good six inches shorter than my five foot ten, with the figure of someone who competed in gymnastics through high school and still used her gym membership. She added to Chloe’s energy in the kitchen. Chloe hummed and listened to her favorite tunes when not directing Katie. They worked well together and became fast friends.

Jerry, another intern, comes in mid-afternoon, when Katie leaves. Jerry towers over Katie at six foot. Husky, he looks more like a bodyguard than a chef. Before switching careers after twenty years, Jerry worked for stuffed-shirt lawyers as a paralegal. He burned out about the time his mother became ill. He started as a server and moved into the second intern position. Jerry’s personality and age lent itself to being a calming influence in the kitchen.

“Katie, be sure to try Chloe’s latest breakfast treat, but save some for Henry, please.”

She laughed. “Will do.”

Inventory done, I moved to the restaurant side. As I dressed tables, Jennifer, the manager, joined me. She became the manager when the original manager left. A long-term employee since before Chloe and I took over, Jennifer was in her mid-thirties, older than both Chloe and me. She continued in the role of server most often, but also helped with training new servers, and took on hostess responsibilities when I took time off to chase down a story.

As the waitstaff filtered in, I raced upstairs and put on a dress, a throwback to when our parents were alive. Our mother thought it added an element of class and set Cenare apart from fast-food places. As I reentered the kitchen area, I took a deep breath. I might not be a foodie, but the smell of the spices made me smile.

Lunch went smoothly and I fidgeted at the hostess stand. I wanted to check my computer and phone for any updates on the Kampton death. It had been months since a case grabbed my attention. This time, it sounded like Henry and his buddy wanted me involved. I wasn’t too sure how the league, minor or otherwise, would appreciate me asking questions. Sometimes questions uncovered secrets best left untold, at least from their perspective.

Author Bio:

Christa Nardi is an accomplished author of cozy mysteries with an edge - still no graphic violence or sex or profanity, but touching on social issues. Christa's background is in higher education and psychology, much as her protagonists, Sheridan Hendley in the Cold Creek and Sheridan Hendley mystery, along with Stacie Maroni in the Stacie Maroni mystery series. She has always loved mysteries - reading them, writing them, and solving them. She reviews books on her blog, predominantly cozy mysteries.

Christa is a member of Sisters in Crime and can be found on occasion at Bouchercon, Killer Nashville, or Malice Domestic. She writes four series: Cold Creek Cozy Mysteries, Sheridan Hendley Mysteries, Stacie Maroni Mysteries, and the Izzie Di Sante mysteries. Christa also collaborates with Cassidy Salem in writing the Hannah and Tamar Mysteries, featuring teen sleuth sisters.

When not writing or reading, Christa and her husband enjoy travel, their three grandchildren, and their dogs. Christa supports dog rescue and local shelters.

Website / Goodreads / Twitter / Instagram


GIVEAWAY!

The Itch of Greed Blitz



Wednesday, August 27, 2025

Book Blitz of Murder Mystery and Midirection by Pamela McCord (#contests- Enter to win An Amazon Gift Card.)

Murder, Mystery and Misdirection
Pamela McCord

(An Erin Baily in Franklin Paranormal Mystery, #3)
Publication date: August 21st 2025
Genres: Adult, Cozy Mystery, Paranormal

Hold onto your coffee and get ready to dive into the charmingly quirky world of Franklin, Tennessee. Erin Bailey never expected her new Southern estate to come with a talking cat named Peekaboo and a parade of ghostly visitors, giving her life a supernatural twist beyond even her wildest imaginings.

In “Murder, Mystery and Misdirection,” Erin becomes embroiled in yet another haunting mystery when her neighbor, Derek, vanishes under suspicious circumstances. As she delves into the secrets surrounding Derek’s disappearance, Erin must navigate the demands of an irate spirit who wishes she’d mind her own business, and the wife he left behind who would prefer that Erin not meddle in her personal life. Despite her initial distaste for Derek, an admittedly abusive husband, Erin is determined to help his pesky ghost cross over—all with her signature wit and relatable charm.

With the assistance of her best friend Susie, a podcast-loving sidekick, Detective Ryan Cahill, the handsome detective who has captured Erin’s heart, and DC, a private investigator and Susie’s boyfriend, Erin faces breathtaking revelations and dangerous discoveries. Add in an unexpected visit from Susie’s all-knowing Italian mother, bringing her own mix of culinary talents and psychic insight, and Erin’s world becomes as dizzyingly delightful as it is unpredictable.

Immerse yourself in a tale where cozy meets paranormal, filled with laughter and suspense. When your closest advisor is a snarky orange cat and your sleuthing targets the world of the dead, nothing is off-limits.

Perfect for fans of mystery interwoven with humor, “Murder, Mystery and Misdirection” promises a journey that’s both heartwarming and hilariously unpredictable—because unraveling a murder mystery is just another day in the life when your companions are as spectral and sassy as the enigmatic Peekaboo.

Join Erin as she dances through danger, one ghostly encounter at a time!

Goodreads / Amazon

EXCERPT:

“Peekaboo!”

I burst through the front door, Ryan in my wake. I stopped in the hallway and looked for any sign of the orange cat who was currently on my sugar (I don’t like to swear) list. It only took a moment before the little creature stepped primly into the hall.

“I was napping,” the grumpy feline said, shooting me a gold-eyed glare. She waited for me to continue.

“I acknowledged them,” I said, deadpan. Just what my cat warned me not to do.

“Oh.” Peekaboo’s snooty manner fell away, and she lowered those gold eyes.

“That’s all you have to say?” I stood, arms crossed, my eyes shooting daggers. Ryan, my boyfriend, stood mutely watching. He couldn’t hear Peekaboo.

But I could. Oh, boy, could I. My sweet little inherited orange cat bestowed on me, by way of tripping me on my way down the front porch steps, the “gift” of being able to communicate with her. Oh, and see ghosts. To be fair, her motives were pure. She needed me to have a near-death experience so I’d wake up and be able to listen to her.

Maybe I should back up, so you know what I’m talking about.

I used to live in Los Angeles. When I was twenty-one, I broke up a mugging and saved a dear little old lady. She was so grateful that seven years later she left me her estate in her will.

In addition to a house, an SUV and a large amount of money, I inherited Peekaboo, the talking cat. Of course, I didn’t know she was a talking cat at the time. After glaring at me for a few days, she apparently thought I was hopeless and pushed me down the stairs. So, I woke up in the hospital and saw a doctor with a clipboard walk through a wall. But that’s really immaterial to my story. My neighbor, who found me splayed out on the porch steps, called 911. When I was released from the hospital, Elsie, the neighbor, told me I’d flatlined and it took ten minutes of the paddles to bring me back to life.

As I hobbled into my house after Elsie brought me home from the hospital and made sure I was all right to be left alone, subject cat started talking to me. I thought I must have a brain tumor…somebody get me back to the hospital! I grabbed the fireplace poker and used it to keep her at bay. I think she may have rolled her eyes at me.

Then, before I was comfortable that she was talking…and I could understand her…she trotted out the ghost of Alice, the sweet little old lady who’d left me her house. Apparently, this whole episode was so I could see Alice and solve her murder.


Author Bio:

A Mom’s Choice Awards® Recipient, Pam started writing later in life when an author friend challenged her to create a book from his story idea. Being a never-say-never person, she met the challenge and managed to finish an entire novel, much to her surprise. Since that beginning, she’s written several books, in several genres. Romance, middle grade and paranormal comprise most of her work. Her first published book, The Haunting of Elmwood Manor, A Pekin Dewlap Mystery, is a Mom's Choice Award Winner! Several of her books have also earned that award. Pam lives in Tennessee, where she shares a home with her My Cat From Hell TV star, Allie, who manages to exude just enough affection to make her scary feral ways tolerable.

Website / Facebook / Instagram


GIVEAWAY!

Murder, Mystery and Misdirection Blitz


Tuesday, December 17, 2024

Interview of Daphne Silver Author of the Rare Books Mystery Series(#interview, #Contests- Enter to win a GIFT CARD.)

The Rare Books Cozy Mysteries by Daphne Silver Banner

THE RARE BOOKS COZY MYSTERIES

by Daphne Silver

November 25, 2024 - January 3, 2025 Virtual Book Tour

 

CRIME AND PARCHMENT

 

A Rare Books Cozy Mystery - Crime and Parchment
Rare books librarian Juniper Blume knows this much… an ancient Celtic manuscript shouldn’t be in a Maryland cemetery. But that’s exactly what her brother-in-law claims.

Last year, Juniper saw the 1,200-year-old Book of Kells in Ireland. She learned how their bejeweled covers were stolen centuries ago, never to be seen again. So how could they have ended up in Rose Mallow, a small Chesapeake Bay town? Being Jewish, the Book of Kells might not be her sacred text, but as a rare books librarian, the ancient book is still sacred to her, making it important to Juniper to find out the truth.

Rose Mallow is the same place where Juniper used to summer with her sister Azalea and their grandmother Zinnia, known as Nana Z. Ever since Nana Z passed away, Juniper’s avoided returning, but her curiosity is greater than her grief, so she heads down in her vintage convertible with her rescue dog Clover.

Juniper discovers that her sister Azalea has transformed their grandmother’s Queen Anne style mansion into the Wildflower Inn, backing up to the Chesapeake Bay. Although Juniper isn’t much of a cook, Azalea has kept their grandmother’s legacy alive, filling the house with the smells of East European Jewish treats, like sweet kugels and tzimmes cake. Will coming back here feel like returning home or fill Juniper with a deeper sorrow? Can she apologize to her sister for not being there when she was needed most?

Purchase Crime and Punishment:

Amazon | Barnes & Noble | BookShop.org | Goodreads



 

THE TELL-TALE HOMICIDE

 

A Rare Books Cozy Mystery - The Tell-Tale Homicide
Amazon | Goodreads
Rare books librarian Juniper Blume lands her dream job: creating a new museum in her Chesapeake Bay town of Rose Mallow, Maryland. But on her very first day, she makes a shocking discovery - a dead man clutching a book by Edgar Allan Poe, stolen from the collections!

As Juniper gets closer to cracking the coded message hidden inside the book, she realizes someone is desperate to keep its literary secrets buried… even if that means burying her too.

Dressed in her signature vintage style with rescue pup Clover by her side, the fearless bookworm must hunt down the culprit before becoming the next victim. But can she solve the case without jeopardizing a budding romance with her boss, the dashing Leo Calverton? And can she help her sister Azalea perfect their grandmother's legendary blintz recipe before the Rose Mallow Festival?

A delightfully deadly page-turner, The Tell-Tale Homicide continues the charming Rare Books Cozy Mystery series by Agatha award-winning author Daphne Silver. Fans of Kate Carlisle and Jenn McKinlay will love tagging along with the whip-smart, book-loving Juniper on her adventures.

INTERVIEW: 

Can you tell us when you started writing?

I’ve been writing as long as I can remember. In the third grade, I wrote my first story, "Walking Through the Attic of Time." My friends and I discovered that an old house's attic was actually a portal to the past. We traveled back in time to make new friends. As I grew up, I continued writing, even minoring it during college. However, it wasn’t until I became an adult that I began writing mysteries.

Can you tell me who or what the inspiration for the book was?

My main character Juniper Blume is a rare books librarian. She was inspired by two things: I have the pleasure of being married to a public librarian and also, I have spent most of my career in history museums, so creating a character that combined both of those passions was a natural fit. As for the story idea, it came from a trip to Ireland that my husband I took years ago, during which we saw the ancient Book of Kells in Dublin. Learning that its bejeweled covers have been missing for over a thousand years really made me curious and ask “what if?”

Can you tell us how you came up with your title?

Because Juniper is a rare books librarian, all the books in this series will have puns based on famous book titles. I loved the idea of Crime and Parchment, since it plays on her dealing with older books and the Book of Kells being written on parchment. The next book in the series is The Tell-Tale Homicide, which is a play on Edgar Allan Poe.

Can you tell us a little about your main characters?

Besides Juniper, there are several main characters, including her sister Azalea, who runs The Wildflower Inn - their late grandmother’s house turned into a hotel on the shores of the Chesapeake Bay. Azalea has a three year old daughter Violet who quickly becomes best friends with Juniper’s rescue dog Clover. Much of the story is also about rekindling the relationship between the sisters.

Do you ever suffer from writer’s block? If so, what do you do about it?

Sure! To help with overcoming writer’s block, I start by drafting an intensive plot. While I’m working on the plot, if I hit a rough patch, I tend to just ask - what could go off the rails here? Who could Juniper run into? What kind of trouble could she find herself in? The answers may or may not end up in the book, but it helps keep the plot moving along. After I finish the plot, I go back and rewrite the story from the start, having a scene by scene guide to help me.

Where is this book set and why did you choose that setting?

Crime and Parchment and The Tell-Tale Homicide are set in the fictional town of Rose Mallow, on the shores of the Chesapeake Bay in southern Maryland. Rose Mallow is a former resort town, trying to recapture its glory days, but home to many charming shops and restaurants and eccentric characters. It’s based upon a few real towns along the Chesapeake Bay, most notably North Beach and Chesapeake Beach, which are linked by a public boardwalk.

What are your current/future projects?

The Tell-Tale Homicide, book 2 in the Rare Books Cozy Mystery series, will be out on November 19th. I’m knee-deep in book 3 and also working on book 4 as well.

How long did it take you to write the book, and how long did it take to get published?

There are two answers: about ten years or six months. Ten years because I first started writing about Juniper and Azalea around a decade ago after that trip to Ireland.

Six months because, after several starts and stops, I put the book aside. I wrote a history book, changed jobs, and had a baby. It wasn’t until my kiddo was entering kindergarten that I had enough brain space to attempt writing again. This time, the book flowed. Like a deluge. Finishing the first draft took about six weeks, give or take. Then I pitched it on a Twitter (which I also hadn’t used in a decade!) during #PitMad (the hashtag was short for pitch madness) and soon ended up with my agent Cindy Bullard of Birch Literary. By the spring, I had a deal with Level Best Books for the electronic and print versions of the book and Blackstone for the audio.

Do you have any tips for a young writer just starting out?

Keep writing! Read widely in general and then deeply in your genre, be that literary fiction, sci-fi, romance, mystery, or what have you. And read with an eye to structure, voice, pacing, and plot. If you plan to subvert expectations in your genre, know those expectations first.

Writing can feel solitary, but don’t let it be. Find your community. I joined Sisters in Crime, including both my local Chesapeake chapter and the Guppies (Great UnPublished) chapters. I cannot stress how incredible of an organization Sisters in Crime is, and I’ve been involved with several associations during my career. Everyone is so caring, and the organization provide incredible resources for its members. Learn more at www.sistersincrime.org.

Series Details:

Genre: Cozy Mystery
Published by: Level Best Books
Series:The Rare Books Cozy Mysteries
Series Links: Amazon | Level Best Books

Read an excerpt from Crime and Parchment:

CHAPTER 1

My 1965, robin’s egg blue convertible backfired as I parked in front of the Wildflower Inn. The noise set off Clover barking in the backseat. Not exactly the quiet homecoming I’d hoped for. I jumped out of my Karmann-Ghia – or “KG” as I’d nicknamed her – to check under the hood, hoping I wouldn’t need to get the roadster serviced yet again. No idea where that money would come from.

A screaming, ranting madwoman poured out of a neighboring house. Maybe in her late seventies, she brandished a large umbrella. I dropped the hood to find the umbrella pointing at me. Clover – all twenty pounds of him – jumped out and started growling.

“Easy, boy,” I said.

“You shoot something off, Missy? Here to cause trouble? Because I’m on the board of the Friends of the Rose Mallow Police.” the woman said. She wore a perfectly fitted Mamie Eisenhower pink skirt suit with enormous pearls – straight out of the 1950s. Her white bouffant billowed around her head. She reminded me of a researcher I’d helped earlier that day at the Library of Congress. That woman had been a murder mystery author looking for books about early detectives. This woman looked like she wanted to murder someone – namely me.

Suddenly I remembered her: Cordelia Sullivan. She was my late grandmother’s arch-nemesis. After my Nana Z had moved to Rose Mallow, they’d competed to be the president of almost every board in town. Nana Z had called it a “friendly rivalry to garner the most civic goodwill,” but I don’t think Cordelia saw it that way. To her, the Blume family were – and always would be – outsiders in her perfect Chesapeake Bay town.

“What’s going on?” My sister Azalea appeared on the wraparound porch of the Wildflower Inn. Although I was two years younger at twenty-eight, she looked like my twin, except that her hair was much longer and darker than my slanted bob. She pushed her bangs back and brought a hand up to her forehead when she saw me. “Juniper? What on earth are you doing here?”

“Well, I…” My words faltered. I’d spent the past hour driving and trying to figure out how to tell Azalea about why I’d finally returned, but every time I tested the words out loud, they failed. Clover had listened with confused curiosity before giving up and falling asleep.

“You know there’s a noise ordinance,” Cordelia said as she waved her umbrella around. Clover barked at the offending instrument. However, I think he wanted to play with it more than anything else. Occasional growling aside, he’s not exactly attack dog material.

“Yes, Mrs. Sullivan. Not until 10 p.m., and it’s not even 8 o’clock yet.” Azalea’s exasperated voice led me to suspect that she’d had this conversation more than once.

“Hmph. I plan on taking your ‘halfway house’ to the zoning board. What a travesty to do to our pristine historic district. You know I’m president of the Rose Mallow Historical Society.” Cordelia wagged a finger at my sister. I closed my eyes before rolling them.

“Mama! Mama!” A young bundle of legs and a mop of nearly black hair appeared next to Azalea on the wraparound porch. I couldn’t believe how big Violet had grown. She was almost four years old now.

She latched onto Azalea’s legs and held on tightly. I wanted to run up to my niece and smother her in hugs and kisses, but I wasn’t sure how I’d be received. Clover apparently did too because he took off after her. The little girl squealed with laughter as he covered her in licks.

“Go inside, Vi. It’s past your bedtime,” Azalea said. She turned to us. “I don’t have time for this. As you can see, I have a young child requiring my attention. Plus, I have a house full of guests. Mrs. Sullivan, it sounds like you have a plan in place to handle my zoning and noise issues. I’ll leave you to it. And Juniper, if you’re here, then let’s get you inside.”

Violet ran inside, letting Clover follow. I took that as a positive sign, so I grabbed my suitcase from the trunk and followed quickly, as Cordelia monitored us. Her umbrella remained held out in the air. She reminded me of Don Quixote in pearls.

“You’ve done an incredible job restoring the place,” I said as I walked across the perfectly manicured lawn. Azalea had recently converted Nana Z’s Queen Anne style mansion into a boutique hotel. After so many years away, I hadn’t been sure what to expect.

She eyed me with uncertainty. I could tell she was debating whether to chew me out for not being here for any of the work, let alone the hotel’s grand opening earlier in the spring. But my sister is much better at maturity than I am.

“It’s been a journey. Not an undertaking for the faint of heart. Repairing that turret alone had me almost give up and put up the for sale sign.” Azalea pointed up to the three-story round tower protruding from the side of the house. As a kid, I used to pretend Nana Z’s home was a castle and fought many dragons racing up that tower.

“You wouldn’t.”

“I said ‘Almost,’” she replied with a laugh.

“I love how bright the yellow siding is. I bet that color really pops in the morning against the Chesapeake Bay.” I walked up the stairs to the wraparound, past garden beds bursting with purple coneflowers and Black-Eyed Susans, Maryland’s state flower.

“You know what’s funny is how much I hated canary yellow when we were little. Every time we came here, I’d always wished Nana Z’s house was more like Cordelia Sullivan’s with her dark greens and rich reds. But now that Nana Z’s gone, I couldn’t stand to change it,” Azalea said.

“But it’s such a cheery color. Why would you want something so drab as Cordelia’s place? ” I asked. As a kid, Cordelia’s house had been as scary as the owner. Losing a ball into her yard meant it was never coming back. Neighborhood kids claimed her house was haunted.

Azalea shrugged. “Yeah, the yellow’s growing on me.”

“You kept this mess?” I said when I spotted the clunky clay mezuzah on the doorpost. I’d made the case at Jewish day camp as a kid. Inside was a tiny parchment scroll inscribed with biblical verses in Hebrew. The painted clay design was supposed to be a bunch of zinnias in honor of Nana Z’s first name, but it looked more like a lumpy mud puddle than a bright firework of flowers.

Azalea shrugged with a smile. “Oh, there are a few of my own masterpieces on some of the other doors inside. Maybe I’ll get Violet to make some new ones.”

The inside was as exquisite as the outside. I don’t think my memories did the place justice. The stained glass above the front door also sported Black-Eyed Susans, while those above each window featured a different native wildflower.

Azalea had kept our grandmother’s lush red carpets with ornate gold and white floral patterns. Polished mahogany inset panels gleamed from the walls. A staircase with beautifully carved spindles fed into the large lobby.

On the left was a parlor that Azalea had turned into the registration space. On the right was the library, overflowing with leather-bound books. It was in this room I had discovered my love for stories and books as a child. I wouldn’t have become a rare books librarian at The Library of Congress without Nana Z’s library. I sighed, wishing things were going better there. Nana Z would have been proud of me, but my job had become so difficult since I lost that promotion to Greyson. A little birdie had told me not to expect another chance for a long time, which meant I was stuck with someone Nana Z would have described as a “shlemiel.”

A narrow hallway disappeared between the registration area and the staircase, which led back to the dining room and kitchen. I remembered how those overlooked the back garden, public boardwalk, and the Chesapeake Bay. I could imagine how ornately she’d decorated the upstairs bedrooms.

Clover sniffed at everything in sight. I monitored him, but he was having a grand time exploring. Just not too grand of a time. I tried sending the message to him telepathically. He lifted his nose at me, as if to say, “Who, me?”

“I love that you hung some of Nana Z’s watercolors,” I said. My eyes grew misty as I gazed at her paintings of native flowers, including dwarf crested irises, ironweed, columbine, and, of course, the rose mallow for which the Maryland town was named. I shook my head, pushing the grief down deep.

A teenager hunched over a thick book sat at the registration desk. She had long, bluish-green locs that looked beautiful against her sepia brown skin. Her large glasses were rimmed in a matching turquoise color. She looked up from the book and said, “Sorry, Azalea. Vi got away from me.”

The teen didn’t seem alarmed, but then again, neither did Azalea. I wondered if this happened frequently. Maybe Vi was a regular escape artist. Nana Z would have been pleased. I held back my smile.

“I’m Juniper, Azalea’s sister,” I said to the teen as I extended my hand.

“You have a sister?” she asked Azalea with a look of surprise. Then she recovered, shook my hand, and said, “I’m Keisha Douglass. I’ve been helping Azalea with the Wildflower Inn. But, uh, we’re all booked up tonight.”

“I’ll figure it out,” said Azalea. “Although giving me some sort of a heads up you were finally coming would’ve been nice, Juniper.”

I didn’t know what to say, so I smiled awkwardly. Clover raced over to the desk to check out Keisha. The desk was higher than him, so he couldn’t quite see atop. Fortunately, she came around to pet him. “Oh wow! A dog? We’re allowing dogs now?”

I turned to check with Azalea, who massaged her temples. She breathed deeply but then simply shrugged. Great. Not only had I shown up out of the blue, but I hadn’t checked to make sure pets were allowed. I was pretty sure I knew the root cause of her sudden headache. I smiled sheepishly.

“No worries, Keisha. Clover’s the exception to the no dogs rule. Vi’s fine. I’m going to put her to bed,” Azalea said, as she ushered the bouncing kid down the narrow hallway and turned abruptly right before the kitchen. Unsure of what to do, I followed. There was a small sitting room there, which she had reconfigured into a bedroom. It was a tight space. Azalea caught me staring. “It’s a temporary solution. I’m still working on updating the Carriage House in the back garden. Once I’m finished, Vi and I will move there.”

Vi ran around the room, fighting Azalea’s attempts to return her to bed. My sister paused mid-chase and said, “This may take a bit. You know where the kitchen is. Why don’t you go there, start a kettle of tea, and I’ll meet you there when we’re done? I was getting ready to pull a kugel out of the oven anyway.”

That was my sister, always gently commanding, whether it was an unruly neighbor, an energetic preschooler, or me, the surprise guest. I thought of her like a duck. Above the water, she appeared to be smoothly sailing along, but below, it was a mad fury of management to keep everything afloat.

“A kugel?” I asked with excitement. Nana Z had made plenty of the baked noodle casseroles each summer. Sometimes they were savory, but more often, they were sweet, made with lokshen, or egg noodles, and various cheeses.

Azalea looked pleased. “I’ve been trying to perfect her recipe. You’ll have to tell me what you think.”

I knew immediately she meant Nana Z. As we headed down the hallway, I caught the aroma of the decadent noodle pudding. I could already detect the cinnamon she’d used. My eyes watered slightly at the memories the smell produced.

The kitchen was both familiar and new. No longer was it the 1890s meets 1970s chic that Nana Z had employed. Azalea had replaced most of the yellowed appliances with updated stainless-steel, upgraded the laminate countertops to granite, and removed the harvest gold wallpaper to paint the in vogue “greige” along with a matching subway tile backsplash. Someone had been watching a lot of HGTV. But it was still Nana Z’s kettle on the stovetop, her handcrafted cookie jar on the counter, and a variety of favorite teas in the same cabinet location. Being here felt like being at home, but only if that home had been completely renovated when you weren’t looking.

The view out back remained the same, looking past a blooming garden of blue hydrangeas and the small Carriage House, to the public boardwalk separating the garden from the Chesapeake Bay. On good days, you could make out the shoreline on the Eastern Shore. Being early June, the sun was beginning to set beyond the Bay’s edge, so the view became a Tonalist painting with its atmospheric blues, grays, and browns.

Clover found an embroidered tea towel to play with. I tried pulling it away from him, but he decided that meant the game was afoot. I dug into my suitcase and found his food. I borrowed a couple of low rimmed bowls to fill with his dinner and water. He quickly abandoned the towel for something to eat.

According to the timer, the kugel still had a few minutes left in the oven. I caught the kettle before it whistled and filled up two mugs. Given the abundance of Darjeeling black tea, I assumed it was still Azalea’s favorite and prepped it for both of us. Within a few minutes, she came in, plopped down on an empty seat, and dropped her head to the table. I sat up in alarm, afraid that my cool as nails sister might be about to cry.

***

Excerpt from Crime and Parchment by Daphne Silver. Copyright 2023 by Daphne Silver. Reproduced with permission from Daphne Silver. All rights reserved.

 

 

Author Bio:
Daphne Silver

Daphne Silver is the Agatha Award winning author of the Rare Books Cozy Mystery Series. Her first novel, Crime and Parchment (Level Best Books, 2023), won the Agatha for Best First Mystery Novel. Her latest book, The Tell-Tale Homicide, comes out November 2024 from Level Best Books. She’s worked more than twenty years in museums and symphonies and has the great fortune of being married to a librarian. When she’s not writing, she’s drawing and painting. She lives in Maryland with her family. Although she’s not much of a baker, she won’t ever turn down a sweet lokshen kugel.

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Thursday, December 12, 2024

Guest Post by Marjorie McCown Author of Final Cut-The Hollywood Mystery Series(#contests- Win A Copy of the Book and An Amazon Gift Card.)

Final Cut by Marjorie McCown Banner

FINAL CUT

by Marjorie McCown

 November 18 - December 13, 2024 Virtual Book Tour

 

Synopsis:

The Hollywood Mystery Series

 

Final Cut by Marjorie McCown
Every day on the set of a big budget Hollywood movie is full of surprises. But the last thing key costumer Joey Jessop expected to find on the first day of principal photography was the body of a fellow crew member. And she immediately becomes a suspect -- not only because she found the body on the beach in Malibu where they're shooting the movie, but because the victim, second assistant director Courtney Lisle, was seeing Joey's ex, first assistant director Eli Logan.

When the press takes hold of the story and social media begins to run with it, Joey watches her well-ordered life behind the scenes of the movie business become front and center tabloid fodder. But that isn't even the worst of it. In addition to her new and unwanted stardom, Joey must also contend with the reckless behavior of the movie's predatory director and producer, Marcus Pray, who churns out blockbuster hits while subjecting his movie crews to a toxic work environment. As a result, Joey finds herself embattled both personally and professionally.

With tensions building on set and a murder investigation looming over her life and future, Joey takes it upon herself to clear her name. Will she be able to uncover the truth before it's a wrap?

Book Details:

Genre: Cozy Mystery
Published by: Crooked Lane Books
Original Publication Date: June 2023
Number of Pages: 320
ISBN: 9781639107285 (ISBN10: 1639107282)
Series: The Hollywood Mystery Series (Joey Jessop), Book 1
Book Links: Amazon | Barnes & Noble | BookShop.org | Goodreads | Penguin Random House

GUEST POST: 

 "Setting as Character"

by Marjorie McCown

I write murder mysteries set behind the scenes of big budget Hollywood movies, books that are inspired by my 27-year career working on the costumes for feature films like Forrest Gump, Apollo 13, The Curious Case of Benjamin Button, and Angels & Demons.

To be honest, working on movies was never my dream. After I graduated from college, I moved to New York City to pursue my original goal, designing costumes for the stage. I loved the years I spent living in New York where I designed both theater and opera, including several productions for the New York City Opera at Lincoln Center.

But over time, I came to appreciate the opportunities that Hollywood offered: a broader canvas for my work and a better paycheck were powerful lures for a young freelancer like me. So I moved to Los Angeles and spent the rest of my costume career working in film.

Let me be clear: I'm very thankful for my years in Hollywood. I enjoyed my work, made a great living and had the good fortune to meet hundreds of fascinating people. Now I use those experiences to craft the plots for my books. And even though my stories are focused on the film industry, they're also firmly rooted in Los Angeles, the birthplace of the movie business.

But Hollywood and Los Angeles are much more than locations in

my books. I think of them as living, breathing characters with a kind of vibrant energy -- like the rhythm of a heartbeat -- that helps drive the attitudes and actions of the human characters in

my stories. And while the two settings are linked by both geography and public perception, there are some important

differences between them.

The professional Hollywood community provides the micro-

setting for my books because it's such a specific society with its own customs and practices. At the same time, a big movie in production is wide open in terms of story possibilities. Each film is its own world. One job may have you helping to create a Marvel Comics universe, as we did on X-Men Days of Future Past. Another job will have you researching the fashions of the early-to-mid twentieth century for a biopic like The Aviator. And believe me, there's no shortage of colorful characters in any movie company. As the actor Ben Mendelsohn (The Dark Knight Rises, Spider-Man: Far from Home) says, "Crewing and being on film sets is a lot like being in a carnival with carnie folk." Definitely the sort of place where almost anything can happen.

I feel the same way about the macro-setting for my books, the city of Los Angeles. LA and Hollywood grew up together. For the past hundred years they've been inseparable partners in popular culture as symbols of glamor and excitement. But the movie industry is only one dimension of Los Angeles. The potpourri of ethnicities and backgrounds of the people who live here give our great, imperfect city a unique identity. That diversity is the real magic of Los Angeles, and I like to show readers different sides of the city. Because that's what makes LA the kind of place where literally anything can happen.

My awareness of those endless possibilities is always with me, and I keep that front and center when I'm working on a book. Maybe that comes from the years I spent in a job creating imaginary worlds while I was living in one of the most amazing,

complicated cities in the real world -- blended inspiration that enriches my life and provides a touchstone for my writing.

Read an Excerpt:

JUNE 21 8:10 pm

Joey felt frustrated that she was late getting back to the shoot. By this time, nearly an hour after wrap, most of the movie crew had packed up and gone home after what had been a long, discouraging day. As key costumer, Joey usually started the morning on set, then ended her day at one of the specialty shops that made clothing for the film, or one of a dozen other tasks that went with her job. But tonight was different.

She’d made the long drive back to the shooting location in Malibu because she wanted to talk to Courtney in person, and even though she wasn’t looking forward to the conversation, she wished she’d made it back before wrap. The second AD hadn’t answered her texts, and now Joey worried she’d missed the chance to do timely damage control, to smooth over the tension between them after their flare-up on set earlier that day. The hectic pace of the movie had everybody on edge, but their confrontation could threaten the costume department’s entire working relationship with the assistant directors. If she couldn’t talk to the second AD without starting a fight, it was game over.

Determined not to let that happen, Joey bypassed the wardrobe truck and headed straight to the AD trailer as soon as she got back to location. She’d seen firsthand the problems that came from bad blood between departments.

On one of her first films, the costume supervisor had gotten into a feud with the transportation captain. After that, the wardrobe trailers were permanently parked in base camp Siberia, as far from the actors’ trailers as possible. The time it took to travel those extra yards added up fast when you had to cover them many times each day. Then drivers suddenly became unavailable to do runs of any kind for the costume department, no matter the urgency. That might not sound like a big deal, but transpo can be a lifesaver when you’re up against an impossible deadline by making an important pickup or drop-off when everybody in your department is too slammed with work to do it, which can happen several times a week on a busy film.

Getting on the wrong side of the AD department was even worse. Assistant directors are like air traffic controllers on a movie. Without them, everybody crashes into everybody else, literally and figuratively. Alienate the ADs and you’re just asking for trouble.

The costume department already had enough problems on this movie between the lack of prep time, late casting, and a director with an ego as big as his box office grosses. Making an enemy of the second AD wasn’t an option. The thought sent a shiver through Joey, and she picked up her pace.

When she didn’t find Courtney in the AD trailer, she continued her circuit of the movie’s base camp, asking everyone she passed if they’d seen the second AD.

“She was by the cafe set last I saw her, but that was a while ago,” one of the grips said.

Joey headed for the Paradise Cove Cafe up by the beach. All the actors’ trailers,

nearest the set, were dark and locked up for the night. She tried the back door of the cafe, but that too was secured, so she peered through the windows. A single work light remained on, but there was no sign of anyone inside, the cafe apparently deserted now that the day’s filming was done. The sun was low in the sky, dipping toward the ocean.

The longest day of the year, and that’s exactly what it felt like to Joey.

She’d run out of places to look. Anxiety tugged at her. Her relationship with Courtney was complicated, like it is whenever your ex is dating somebody new. And she needed to be honest with herself about the way her personal feelings may have clouded their interactions.

With daylight dying over the water, she stepped onto the beach, hoping to feel a scrap of the serenity she always found in the natural rhythm of the breaking waves, like a favorite refrain, a golden oldie that just gets better with time.

At the water’s edge, she noticed a pile of clothing, buffeted by the incoming tide scudding across the sand. Her first thought was that one of the extras had abandoned their costume, but that didn’t make any sense. As the sun dropped out of the sky, she took a few steps closer to investigate, at the same time as a larger wave swept aside what she’d taken for coils of kelp swirling around that bundle of fabric.

Horror sliced through Joey like a scalpel; she stumbled and fell to her knees. Courtney Lisle lay motionless in the shallow water at the shoreline as the cold blue Pacific surf washed over her body.

FOURTEEN HOURS EARLIER

Chapter One

The first day of principal photography on a film is always a milestone in production, like opening night in the theater. After working mostly independently of each other for three months or more, all the different departments merge to become one big machine. No matter how many movies you’ve done, every new job is a blank slate. Each time, you ask yourself: Do I have what it takes to climb that mountain again, to create a new world out of whole cloth?

Put up or shut up time.

Joey slept poorly the night before, which was par for the course; but she couldn’t shake the feeling of dread that dropped on her like a net as soon as she opened her eyes that morning. She’d had a bad feeling about this job from the start; she’d nearly passed on the movie for a number of reasons, both personal and professional. But the carrot of working so close to home was finally too tempting to resist.

The costume department had been prepping for months, but the schedule was rushed for a project so large and complex. Lots of special effects, stunts, and complicated costumes; lots of money and reputations on the line. Still, she felt her department was as ready as they could be, and her standards for readiness were high. So she tried to chalk up her misgivings to first day of shooting jitters. Later, she’d wonder if they’d been a premonition.

Just before sunrise, she pulled her car into the crew parking lot, about a mile south of base camp in Malibu. A shuttle van idled, waiting to ferry people to the set. It was empty save for the driver, whose head rested against his seat back. The teamsters were respon- sible for the setup of vehicles and equipment, so that all was ready for the shooting company when they got to work. They were the first in and last out every day, and most of them were expert at grabbing a few winks when they had the chance.

Joey gathered her purse and work satchel, then locked her car and pinned her keys to her waistband. She had keys to the costume offices and storage space for the movie as well as her personal keys, and this was the only sure way to keep them at hand throughout the day without losing them.

She trotted over to the van and pulled the side door open, startling the driver out of his catnap. A grizzled veteran in his late forties, he sat up with a frown until he saw who was climbing into his back seat.

“Joey Jessop! Girl, how you doin’?” A wolfish grin lit his face. “You are lookin’ fine as ever, Sweet Cheeks.”

Pete O’Neill was a relentless lech, and even though he was basically harmless, he could be tiresome, especially first thing in the morning.

“Pete, what a nice surprise,” she said, trying to hide her true feelings. “I didn’t see your name on the crew list.”

“We ran three weeks over on the last job down in Louisiana. Made it back in the nick of time to get on this one. Didn’t want to miss out on a big show in LA, for a change.”

“No kidding,” she said. “This is the first job I’ve booked in the past four years that’s shooting here. I’m thrilled to be sleeping in my own bed for the next six months.”

“You coming off location, too?”

“I’ve been back here prepping this one for a while, but before that I was out of town shooting a Western.”

“How’d that go?” He wiggled his eyebrows. “You meet a lot of hunky cowboys?”

She managed to keep from rolling her eyes. “It was an education.”

“Never done a Western before, huh?” He gave her a knowing look. “Whole different animal.”

“That’s one way of putting it.” Joey had been on dozens of location shoots, but the Western was a real eye-opener. From the wild temperature swings in the desert—25 degrees at night to over 100 in the afternoon—to the dust storm that took out their generators one day, or the flash flood that nearly trapped them in a box canyon on another, the experience had given her a fresh appreciation for the comfort of shooting on a studio back lot.

She stifled a yawn. “At least it was fast. Six-week shoot.” “Yeah?” His expression was skeptical. “Who was directing?”

“Clint Eastwood.” She smiled as she pictured the director on set, watching the shot in progress on a handheld monitor. Despite the difficult conditions, Joey enjoyed working with him.

Pete nodded appreciatively. “That man’s a class act, old school Hollywood.”

“Yes, he is,” she said. “A real filmmaker. We could use more like him in the business these days.”

“You got that right.” Pete checked his watch. “I don’t think I’ll be getting any more customers for a while. Crew call’s not for another hour. If you want, I’ll run you up to base camp now.”

“That’d be great.” She slid the door closed. “I can use some quiet time before everybody gets here.”

He dropped the van into gear. They turned north onto the Pacific Coast Highway as a pale watercolor wash of daylight began to spread across the ocean, sketching in the horizon line to the west. Joey took a deep breath, bracing herself for the nonstop activity the next sixteen hours would bring.

“Have you read the script for this one yet?” Pete glanced at her in the rearview mirror.

“Didn’t have much choice,” she said lightly.

“That bad?”

“Not my cup of tea. I’m not a big fan of comic book movies.”

“’Bout all they make around here anymore,” he said, “if you want to earn a decent living.”

“Don’t I know it.”

The screenplay was 125 pages of special effects–driven gobbledygook, but Joey had no doubt it would play well with the movie’s crucial fourteen- to twenty-year-old target audience.

“I heard this one’s about some new superhero.” Pete caught her eye in the mirror again.

“It’s actually the Legion of Phenomenals, based on some underground comics that have a big cult following. Nothing new, but they haven’t been used in any movies so far.”

“Why not just call it that, instead of UMPP?” He was asking about the working title for the movie. “Sounds like a noise you’d make if you got punched in the stomach.”

She couldn’t help smiling. “It’s code for Untitled Marcus Pray Project. You know how paranoid the producers are. They’re trying to keep the fanboys in the dark.”

“Like that’s going to stop them. The director’ll probably be posting pictures on Instagram from the set, and the studio won’t say boo to him.” Pete leaned back to talk to her over his shoulder. “Marcus Pray’s no Eastwood, even if he is a big dog in the business right now. I’m taking care of his trailer, and I got a mile-long list of special stuff that’s gotta be on board for him and his friends.” Pete gave the word a suggestive emphasis.

Marcus Pray was a powerful Hollywood hyphenate, a producer-director with a string of action-adventure blockbusters to his credit. This movie was sure to be another lucrative notch on his belt. Joey hadn’t worked with him before, and some of the stories she’d heard made her think twice before she signed onto this job.

***

Excerpt from FINAL CUT by Marjorie McCown. Copyright 2023 by Marjorie McCown. Reproduced with permission from Marjorie McCown. All rights reserved.

 

Author Bio:

Marjorie McCown

Marjorie McCown spent 27 years in Hollywood working on the costumes for movies such as Forrest Gump, Apollo 13, and The Curious Case of Benjamin Button. Her film career provides the inspiration for her Hollywood Mystery series of books that are set behind the scenes in the world of moviemaking and feature key costumer Joey Jessop as the main character. Her cozy murder mystery, FINAL CUT (Crooked Lane Books, June 2023) was chosen as an Amazon Editors' Pick in the best Mystery, Thriller, and Suspense category. Deadly Pleasures Magazine named FINAL CUT as one of the best cozy mysteries of 2023, and FINAL CUT was also named a Top Pick in the cozy mystery category for the Silver Falchion Award by Killer Nashville. STAR STRUCK, Book #2 in her Hollywood Mystery series published May 7, 2024. Marjorie is a member of Sisters-in-Crime and Mystery Writers of America.

Find out more about Marjorie:

 
MarjorieMcCown.com
Goodreads
BookBub - @marjoriemccownauthor
Instagram - @marjoriemccownbooks
Twitter/X - @eastlamm
Facebook - @MarjorieMcCownBooks

 

 

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This is a giveaway hosted by Partners in Crime Tours for Marjorie McCown. See the widget for entry terms and conditions. Void where prohibited.
 
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